Andrew Farriss plays Come Midnight, from his upcoming solo debut album, for Review’s video series starring top musicians and artistic performers recorded at their homes.
We’re a long way from a republic, the great cities are stilled, but we have music.
Joseph Tawadros plays Dreaming Hermit, from his 2014 album Permission to Evaporate, on his oud for Review’s video series starring top artistic performers recorded at their homes.
The 2020 APRA Music Awards will become a virtual event to be held on May 26.
Felicity Urquhart plays Hopscotch Sunday, from her 2019 album Frozen Rabbit, for Review’s video series starring top musicians and artistic performers recorded at their homes.
With her performance of Hopscotch Sunday, Felicity Urquhart is the latest Australian star to grace our Isolation Room video series.
Melbourne Symphony Orchestra percussionist Rob Cossom rehearses a vibraphone piece for Review’s video series starring top musicians and artistic performers recorded at their homes.
Bill Withers avoided the spotlight in later years, but his presence lived on through his ubiquitous songs.
John Williamson plays Cootamundra Wattle, from his 1986 album Mallee Boy, for Review’s video series starring top musicians and artistic performers recorded at their homes.
With his performance of Cootamundra Wattle, John Williamson is the latest Aussie star to grace our Isolation Room video series.
Ashleigh Wilson has been arts editor since 2011. He has been at the paper for more than 15 years in various roles around the country, including several years as Darwin correspondent. In 2006, he and Nicolas Rothwell won a Walkley award for coverage of indigenous affairs. His first book, published by Text in 2016, was Brett Whiteley: Art, Life and the Other Thing, a biography of the late Australian painter. His second book, On Artists, was published by MUP in 2019.
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